There is an article in today’s Oregonian and a radio piece by OPB on a piece of performance art occurring here in Portland, “Panhandling for Slavery Reparations”. I have to keep repeating the phrase “performance art” to myself when I think about it, because this project irritates the hell out of me, and I need to be reminded that one of the functions of art is to stir emotion. In that respect, this piece is a shining success.
The artists sit on the sidewalk and ask white passersby for money specifically in compensation for the slavery of African-Americans. The panhandlers then hand the money over to black passersby. While it may qualify as art, maybe, I think this is a wrong-headed approach to a painful issue.
First, I resent all forms of panhandling. I resent the intrusion, and I resent the implicit assumption that giving my money to a complete stranger is a reasonable request to make. Panhandling artist Damali Ayo says “People act like I can’t see them. I see you. If you put your head down, I can still see you.”
Yes, you can still see us, but that doesn’t give you the right to be included. Your right to sit downtown and ask the people that walk by you for their money does not equate with a right to be heard, or even acknowledged. I decide who I speak to, or even choose to look at.
But my own irritation at panhandling aside, this is a toxic project. It isn’t about healing, or moving beyond the horrors of the past. It’s about assigning and accepting blame. And it’s about putting people in boxes. White face – guilty. Black face – victim. It’s easy to do. Just sit on the sidewalk and watch the people go by. Guilty. Guilty. Guilty. Victim. Guilty. Guilty.
And isn’t that exactly what we shouldn’t be doing? Making a judgment on someone’s character, or their identity, based simply on the color of their skin? Isn’t that what slavery was about? Human. Human. Subhuman. Human. I thought we were trying to move beyond that kind of knee-jerk morality.
I don’t choose to accept personal responsibility for slavery. I don’t know that any of my ancestors owned slaves (although there might be some that did). But I didn’t. I don’t feel the need to apologize for it.
But for all the times I nervously crossed the street at night to avoid a group of young black men, for all the times I made an assumption when I saw a black face, for all the off-color jokes I may have told, I will take responsibility. I will own up to my misdeeds. There are more than enough to atone for, I don’t need to shoulder the additional sins of my fathers.
And rather than making an empty gesture with a handful of coins, I’d rather spend my energy trying to treat the people I meet fairly, regardless of the color of their skin. That is both more difficult, and more worthwhile, than simply accepting the label of oppressor.
6 users commented in " Panhanding for Reparations "
Follow-up comment rss or Leave a TrackbackNicely put.
I’ve been trying to figure out how to say what you just said, and well, you just said it. Thanks.
I love that you recognized art is supposed to make you uncomfortable. I’d say they achieved their goal.
BTW: You can read damili ayo’s livejournal entry on this project here:
http://damaliayo.livejournal.com/4396.html
I was listening to a radio piece about this last night and went through an eerily similar internal dialogue. I ended up imagining what I would do if asked for money for reparations, and I would really have to say no. I am descended from immigrants of a religious and ethnic minority who arrived well after emancipation, and no money from me could meaningfully be considered reparations. The project struck me, thinking of it this way, as incredibly racist and offensive. I don’t even really appreciate it as art, unless the point to be made is that the very concept of paying reparations for slavery is absurd. The test of good art to me is whether it expresses the artist’s intent, and after looking at her Livejournal page, it’s clear that the project failed. Eliciting a response is an aim of art, but good art elicits a specifc response. The point is not to feel just anything, but to feel the way the artist feels. Starting a discussion is a good outcome, but it can’t serve as a good piece of art’s sole intent, in my opinion.
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